Search This Blog

Subscribers | Readership


Latest update | Bandcamp

Wednesday, March 3, 2021

«๐‚๐ƒ๐ฌ, ๐‚๐š๐ฌ๐ฌ๐ž๐ญ๐ญ๐ž๐ฌ, ๐•๐‡๐’» — ๐‡๐จ๐ฆ๐ž ๐‚๐จ๐ฅ๐ฅ๐ž๐œ๐ญ๐ข๐จ๐ง




ะšั€ัƒะธะท
Tambov
Speed Metal/Hard Rock

ะšั€ัƒะธะท-1
[Full-length] October 1987
12" vinyl (33⅓ RPM)
ะœะตะปะพะดะธั

The first metal album officially
released in the Soviet Union.
Recorded in June 1986 in Moscow

๐„๐ง๐œ๐ฒ๐œ๐ฅ๐จ๐ฉ๐š๐ž๐๐ข๐š ๐Œ๐ž๐ญ๐š๐ฅ๐ฅ๐ฎ๐ฆ
metal-archives/album





Babylon Whores
Helsinki, Uusimaa
Finland ๐Ÿ‡ซ๐Ÿ‡ฎ
Heavy Metal/Deathrock

Death of the West
[Full-length] May 20th, 2002
[CD] Spinefarm Records

Recorded at Hellhole Studio, Helsinki, Finland,
winter 2001-2002.
Mixed at Finnvox Studios, Helsinki, Finland,
January 2002

๐„๐ง๐œ๐ฒ๐œ๐ฅ๐จ๐ฉ๐š๐ž๐๐ข๐š ๐Œ๐ž๐ญ๐š๐ฅ๐ฅ๐ฎ๐ฆ
metal-archives/Babylon Whores






Anathema
Liverpool, Merseyside, England
United Kingdom ๐Ÿ‡ฌ๐Ÿ‡ง
Doom/Death Metal

The Silent Enigma
(Cassette/Moon Records/2002)

Recorded at Lynx Studios, 
Newcastle except "...Alone" 
recorded at M.A. Studios, 
Liverpool

๐„๐ง๐œ๐ฒ๐œ๐ฅ๐จ๐ฉ๐š๐ž๐๐ข๐š ๐Œ๐ž๐ญ๐š๐ฅ๐ฅ๐ฎ๐ฆ







Brazilian Death/Thrash Metal: Sepultura
(Belo Horizonte, Minas Gerais/Sรฃo Paulo) 
- Bestial Devastation/Morbid Visions 
1986/1985 (Cassette/Metal Mind 
Productions/1991/Poland)

๐“๐ซ๐š๐œ๐ค๐ฅ๐ข๐ฌ๐ญ

Side 1

1. Morbid Visions
2. Mayhem
3. Troops of Doom
4. War
5. Crucifixion
6. Show Me the Wrath

Side 2

1. Funeral Rites
2. Empire of the Damned
3. The Curse
4. Bestial Devastation
5. Antichrist
6. Necromancer
7. Warriors of Death

Other versions

Sepultura / Overdose
Bestial Devastation / Sรฉculo XX
December 1st, 1985 / Split
12" vinyl (33⅓ RPM)
Cogumelo Records
1991 / Morbid Visions &
Bestial Devastation EP
Cassette / Metal Mind Productions

1995 / Morbid Visions &
Bestial Devastation EP
12" vinyl / CD
Cogumelo Records
Sepultura / Overdose
Bestial Devastation / Sรฉculo XX
12" vinyl / Limited edition,
Reissue (2 colors) / 2017
Mutilation Productions
Morbid Visions
2017 / CD / Digipak, Remastered
Cogumelo Records




American Progressive Death Metal: Death 
(Altamonte
Springs, Florida) - Symbolic (Cassette/
Moon Records/1997/Ukraine)

๐“๐ซ๐š๐œ๐ค๐ฅ๐ข๐ฌ๐ญ

1. Symbolic
2. Zero Tolerance
3. Empty Words
4. Sacred Serenity
5. 1,000 Eyes
6. Without Judgement
7. Crystal Mountain
8. Misanthrope
9. Perennial Quest

Recorded and mixed at Morrisound Recording,
Tampa, FL. Mastered at
Sterling Sound, New York, N.Y.

๐„๐ง๐œ๐ฒ๐œ๐ฅ๐จ๐ฉ๐š๐ž๐๐ข๐š ๐Œ๐ž๐ญ๐š๐ฅ๐ฅ๐ฎ๐ฆ




Napalm Death
Birmingham, West Midlands, England
United Kingdom ๐Ÿ‡ฌ๐Ÿ‡ง
Grindcore/Death Metal

The DVD
(VHS/Moon Records/2007)

Tracks 1-6: Promo clips.
Tracks 7-29: Previously released on the "Live Corruption" VHS video (*+ interview). Tracks 57-58: BBC TV  footage featuring Bill Steer (pre-Carcass) and Lee Dorrian (pre-Cathedral), taken from the Arena TV show (4/17/1989) at the Kilburn National

๐„๐ง๐œ๐ฒ๐œ๐ฅ๐จ๐ฉ๐š๐ž๐๐ข๐š ๐Œ๐ž๐ญ๐š๐ฅ๐ฅ๐ฎ๐ฆ
metal-archives/Napalm Death




Metallica
Los Angeles | San Francisco,
California
United States ๐Ÿ‡บ๐Ÿ‡ฒ
Thrash Metal

Cliff 'Em All!
[Video] November 28th, 1987

1. Creeping Death (live '86)
2. Am I Evil? (Diamond Head cover) (live '86)
3. Damage, Inc. (live '86)
4. Master of Puppets (live '86)
5. Whiplash (live '83)
6. The Four Horsemen (live '85)
7. Fade to Black (live '85)
8. Seek & Destroy (live '85)
9. Welcome Home (Sanitarium) (live '86)
10. For Whom the Bell Tolls (live '85)
11. No Remorse (live '83)
12. Metal Militia (live '83)

๐„๐ง๐œ๐ฒ๐œ๐ฅ๐จ๐ฉ๐š๐ž๐๐ข๐š ๐Œ๐ž๐ญ๐š๐ฅ๐ฅ๐ฎ๐ฆ
metal-archives/Metallica VHS

Tuesday, March 2, 2021

Void of Silence (Italy)

 The grave of civilization

ะ’ 2004 ะณ. ะฒั‹ั…ะพะดะธั‚ ะฐะปัŒะฑะพะผ "Human antithesis" ะบะพะผัƒ ะฝั€ะฐะฒะธั‚ัั ัั‚ะธะปะธัั‚ะธะบะฐ funeral doom metal/dark ambient ะฟะพะถะฐะปัƒะนัั‚ะฐ. ะ ะฐะฝะตะต ะธั… ะผัƒะทั‹ะบะฐ ะธ ั‚ะตะบัั‚ั‹ ะผะตะฝั ะฝะต ะพัะพะฑะพ ะฒะฟะตั‡ะฐั‚ะปะธะปะธ, ะดะฐ ะธ ะผัƒะทั‹ะบะฐ ะพัะพะฑะพ ะฝะต ั†ะตะฟะปัะปะฐ, ะฝะพ 6 ะปะตั‚ ะฟะธัะฐะปะธ ะฐะปัŒะฑะพะผ ะธ ะฒะพั‚ ะฒ 2010 ะณ. ั ะฟะพัะปัƒัˆะฐะป ะฟะพะปะฝะพั„ะพั€ะผะฐั‚ะฝะธะบ ะธั‚ะฐะปัŒัะฝั†ะตะฒ "Void of Silence". ะœะพะธ ะฒะฟะตั‡ะฐั‚ะปะตะฝะธั ะฑั‹ะปะธ ะพั‡ะตะฝัŒ ัะตั€ัŒะตะทะฝั‹ะผะธ, ั ะบั€ะฐะนะฝะต ะฒะฝะธะผะฐั‚ะตะปัŒะฝะพ ะฟั€ะพัะปัƒัˆะฐะป ะพั‚ ะฝะฐั‡ะฐะปะฐ ะธ ะดะพ ะบะพะฝั†ะฐ ะฐะปัŒะฑะพะผ, ะธ ัั€ะฐะทัƒ ัะบะฐะทะฐะป, ั‡ั‚ะพ ัั‚ะพ ัˆะตะดะตะฒั€. ะŸะตั€ะฒะฐั ะบะพะผะฟะพะทะธั†ะธั ะฒัั‚ัƒะฟะธั‚ะตะปัŒะฝะฐั, ะฝะพ ะฟะปะฐะฒะฝะพ ะฟะตั€ะตั…ะพะดัั‰ะฐั ะฒ ะฟะพะปะฝะพั†ะตะฝะฝัƒัŽ ะบะพะผะฟะพะทะธั†ะธัŽ, ั‚ะพ ะฑะธัˆัŒ, ะฒะตััŒ ะฐะปัŒะฑะพะผ ะบะฐะบ ะพะดะฝะฐ ั‡ะฐัะพะฒะฐั ะบะพะผะฟะพะทะธั†ะธั. ะ”ั€ะฐะผะฐั‚ัƒั€ะณะธั ะพะดะฝะพั‡ะฐัั‚ะฝะพะน ัะพะฝะฐั‚ั‹ ะฒ ะบะพะฝั‚ะตะบัั‚ะต. ะ ะตะฐะปัŒะฝะพ ะพั‡ะตะฝัŒ ะทะฐะฒะพั€ะฐะถะธะฒะฐะตั‚, ะพั‚ะพั€ะฒะฐั‚ัŒัั ะฝะตะฒะพะทะผะพะถะฝะพ. ะ ัƒะถ ะตัะปะธ ะฒั‹ ัะฒะปัะตั‚ะตััŒ ะผัƒะทั‹ะบะฐะฝั‚ะพะผ, ั‚ะพ ะดะพะฒะพะปัŒะฝะพ ะธะฝั‚ะตั€ะตัะฝะพ ะฑัƒะดะตั‚ ั ั‚ะพั‡ะบะธ ะทั€ะตะฝะธั ั€ะฐะฑะพั‚ั‹ ะฝะฐะด ะผะฐั‚ะตั€ะธะฐะปะพะผ, ะฟะพัะปัƒัˆะฐะนั‚ะต ะบะฐะถะดั‹ะน ะธะฝัั‚ั€ัƒะผะตะฝั‚, ะฒะพะบะฐะป, ะบัั‚ะฐั‚ะธ ะฐั‚ะผะพัั„ะตั€ะฐ, ะฑัƒะดั‚ะพ ะฑั‹ ะฒั‹ ะฝะฐั…ะพะดะธั‚ะตััŒ ะฒ ะบะฐะบะพะผ-ะฝะธะฑัƒะดัŒ ัั€ะตะดะฝะตะฒะตะบะพะฒะพะผ ัะพะฑะพั€ะต, ะบะฐะถะตั‚ัั ะฒั‹ ะฟะพะณั€ัƒะถะตะฝั‹ ะฒ ัั€ะตะดะฝะตะฒะตะบะพะฒัŒะต, ะฐ ะฟะพั‚ะพะผ ะฒะพะทะฒั€ะฐั‰ะตะฝั‹ ะฒ ั‚ะตะฟะตั€ะตัˆะฝะตะต ะฒั€ะตะผั ะธ ั‚ัƒั‚ ั€ะฐััั‹ะฟะฐะตั‚ัั ะฒั€ะตะผะตะฝะฝะพะต ัั‚ะตะบะปะพ ะธ ะฒั‹ ะฒ ะฟั€ะตะดัั‚ะฐะฒะปัะตั‚ะต ะฑัƒะดัƒั‰ะตะต, ะณะดะต ะฝะตั‚ ะถะฐะปะพัั‚ะธ, ะผะธะปะพัะตั€ะดะธั ะธะปะธ ะฒัะต ะถะต ะตัั‚ัŒ, ะธ ะผะธั€, ะฒะดั€ัƒะณ, ัั‚ะฐะป ะดั€ัƒะณะธะผ, ะดะพะฑั€ะตะต, ะฒ ะพะฑั‰ะตะผ, ะณะปะฐะฒะฝั‹ะน ะฟะพัั‹ะป ะฒ ั‚ะพะผ, ั‡ั‚ะพ ะผัƒะทั‹ะบะฐะฝั‚ั‹ ััƒะผะตะปะธ ะทะฐั‚ั€ะพะฝัƒั‚ัŒ ั‡ัƒะฒัั‚ะฒะฐ, ะฐ ะฒะตะดัŒ ัั‚ะพ ะพั‡ะตะฝัŒ ะฒะฐะถะฝะพ. ะœะตัั‚ะฐะผะธ ะบะฐะถะตั‚ัั, ั‡ั‚ะพ ะฑัƒะดั‚ะพ ะณะธั‚ะฐั€ะฐ ะฟะปะฐั‡ะตั‚, ะฑัƒะดั‚ะพ ัะปั‹ัˆะธัˆัŒ ัะบะฒะพะทัŒ ะผัƒะทั‹ะบัƒ ะผะพะปัŒะฑัƒ, ะทะฝะฐะตั‚ะต, ะบะฐะบ ะปัŽะฑะฐั ะบะฐั€ั‚ะธะฝะฐ, ะปัŽะฑะพะต ัˆะตะดะตะฒั€ะฐะปัŒะฝะพะต ะฟั€ะพะธะทะฒะตะดะตะฝะธะต, ั‚ัƒั‚, ะบะฐะบ ั€ะฐะท ั‚ะฐะบะธ, ะถะธะทะฝัŒ ะฟะพะปะฝะฐ ั‡ัƒะฒัั‚ะฒ, ะบะฐะบ ะฝะฐะผะพะปะตะฝะฝะฐั ั†ะตั€ะบะพะฒัŒ ะฒะพะฑั€ะฐะปะฐ ะฒ ัะตะฑั ั‚ัƒ ัะฝะตั€ะณะตั‚ะธะบัƒ ะบะฐะถะดะพะณะพ ะผะพะปัั‰ะตะณะพัั ั‡ะตะปะพะฒะตะบะฐ. ะ“ะพะฒะพั€ัŽ ะธ ะฟะพะฒั‚ะพั€ัŽััŒ ะตั‰ั‘ ั€ะฐะท, - ัั‚ะพ ะฝะต ะฟั€ะพัั‚ะฐั ั€ะฐะฑะพั‚ะฐ ะธั‚ะฐะปัŒัะฝัะบะธั… ะผัƒะทั‹ะบะฐะฝั‚ะพะฒ, ะฒ ัั‚ะพะผ ะฐะปัŒะฑะพะผะต ั†ะตะปะฐั ะถะธะทะฝัŒ ะฟะพะปะฝะฐ ัั‚ั€ะฐัั‚ะตะน ะธ ั‡ัƒะฒัั‚ะฒ.

bandcamp

ะšะธะตะฒ ะฑะฐะฝะดะธั‚ัะบะธะน. ะ—ะฐั€ะพะถะดะตะฝะธะต ะžะŸะ“ ะฒ ะšะธะตะฒะต. ะ ะฐััะบะฐะทั‹ะฒะฐะตั‚ ะ’ะฐะปะตั€ะธะน ะšัƒั€.

 ะงะฐัั‚ัŒ I.


80% ะฟั€ะตัั‚ัƒะฟะฝั‹ะน ะผะธั€ ะฒ ัั‚ะพะปะธั†ะต ะฒ ะบะพะฝั†ะต 80-ั… ะฒะพะทะณะปะฐะฒะธะปะธ ัะฟะพั€ั‚ัะผะตะฝั‹, ะบะพั‚ะพั€ั‹ะต ะฑั‹ะปะธ ะพั‡ะตะฝัŒ ะธะทะฒะตัั‚ะฝั‹ะต. ะก ั‚ะพั‡ะบะธ ะทั€ะตะฝะธั ะฟั€ะฐะฒะพะพั…ั€ะฐะฝะธั‚ะตะปั  ะผะฝะพะณะธะต ะฝะตัƒะดะฐะฒัˆะธะตัั ัะฟะพั€ั‚ัะผะตะฝั‹, ะฐ ัะฟะพั€ั‚ัะผะตะฝ "ะพั‡ะตะฝัŒ ะฝะตะถะฝะพะต ััƒั‰ะตัั‚ะฒะพ", ะฐ ะตัะปะธ ะพะฝ ะฟั€ะพั„ะตััะธะพะฝะฐะปัŒะฝั‹ะน ัะฟะพั€ั‚ัะผะตะฝ, ะตะผัƒ ะฟะพัะปะต ะบะฐั€ัŒะตั€ั‹ ัะปะพะผะฐั‚ัŒัั ะพั‡ะตะฝัŒ ะปะตะณะบะพ, ะพะฝ ะฝะตะฟั€ะตัะฟะพัะพะฑะปะตะฝ ะถะธั‚ัŒ ะฒ ั‚ะฐะบะพะน ะฐั‚ะผะพัั„ะตั€ะต ะธ ะฟะพั‡ะตะผัƒ ะผะฝะพะณะธะต ะฟะพัะปะต ั€ะฐะทะฒะฐะปะฐ ะกะกะกะ  ัƒัˆะปะธ ะฒ ัั‚ะพั‚ ะผะธั€, ะฐ ะฟะพะฟะฐะดะฐะตั‚ัั ั‚ั€ะตะฝะตั€, ั†ะธะฝะธะบ, ัƒ ะบะพั‚ะพั€ะพะณะพ ะทะฐ ะฟะปะตั‡ะฐะผะธ ะฟั€ะตัั‚ัƒะฟะฝะพะต ะฟั€ะพัˆะปะพะต, ะดะฐ, ะพะฝ ั…ะพั€ะพัˆะธะน ะฑะพะบัะตั€-ัะธะปะพะฒะธะบ, ะฝะพ ะฒ ะดัƒัˆะต ะพะฝ.. ะฒะพั‚ ะธ ะฟะพะปัƒั‡ะธะปะพััŒ.

 ะšะธั—ะฒ ะฑะฐะฝะดะธั‚ััŒะบะธะน. ะฏะบ ะทะฐั€ะพะดะถัƒะฒะฐะปะธัั ะžะ—ะฃ ั– ั…ั‚ะพ ั—ั… ะพั‡ะพะปัŽะฒะฐะฒ ัƒ ะฑัƒั€ะตะผะฝั– 90-ั‚ั–.

#ะบะธั—ะฒะฑะฐะฝะดะธั‚ััŒะบะธะน #ัะบะทะฐั€ะพะดะถัƒะฒะฐะปะธััะพะทัƒ #ะฑัƒั€ะตะผะฝั–90 #ะบะธะตะฒะฑะฐะฝะดะธั‚ัะบะธะน #ะทะฐั€ะพะถะดะตะฝะธะตะพะฟะณะฒะบะธะตะฒะต #ะฒะฐะปะตั€ะธะนะบัƒั€ #ัƒะบั€ะฐั—ะฝััŒะบะฐะฟั€ะฐะฒะดะฐ